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dc.contributor.authorCarbajosa, Natalia
dc.date.accessioned2013-04-04T12:11:54Z
dc.date.available2013-04-04T12:11:54Z
dc.date.issued2012
dc.identifier.issn1578-3820
dc.identifier.urihttp://hdl.handle.net/10835/2076
dc.description.abstractEkphrasis is commonly known as the literary description or commentary of a real or imaginary work of art. In this article, ekphrasis and its relation with Peirce’s theory of signs will be considered for the analysis of two poems written by two American Modernist poets, Wallace Stevens and William Carlos Williams. The aim of this study is to analyze the role of ekphrasis in a period of acute consciousness of the visual-verbal interrelationship, as well as to extract some conclusions concerning the particular way in which both poems explore such a relation.es_ES
dc.language.isoenes_ES
dc.publisherUniversidad de Almería.es_ES
dc.sourceOdisea : Revista de Estudios Ingleses. Número 13, Enero-Diciembre 2012es_ES
dc.subjectÉcfrasises_ES
dc.subjectPoesía modernistaes_ES
dc.subjectRelación verbal-visuales_ES
dc.subjectTeoría de los signoses_ES
dc.subjectLa vanguardiaes_ES
dc.subjectEkphrasises_ES
dc.subjectModernist poetryes_ES
dc.subjectVisual-verbal interrelationshipes_ES
dc.subjectTheory of signses_ES
dc.subjectThe avant-gardees_ES
dc.titleEkphrasis and Modernism: A Study of Two Poems by Wallace Stevens and William Carlos Williams.es_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.relation.publisherversionhttp://www.ual.es/odisea/Odisea13_Carbajosa.pdfes_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.identifier.doihttp://dx.doi.org/10.25115/odisea.v0i13.226


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