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dc.contributor.authorGil Naveira, Isabel
dc.date.accessioned2018-10-31T12:31:58Z
dc.date.available2018-10-31T12:31:58Z
dc.date.issued2017
dc.identifier.issn2174-1611
dc.identifier.urihttp://hdl.handle.net/10835/6168
dc.language.isoenes_ES
dc.publisherUniversidad de Almeríaes_ES
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectLiminalityes_ES
dc.subjectDeconstructiones_ES
dc.subjectVirgines_ES
dc.subjectMalinchees_ES
dc.subjectChicanases_ES
dc.subjectGender roleses_ES
dc.subjectLiminalidades_ES
dc.subjectDeconstrucciónes_ES
dc.subjectVirgenes_ES
dc.subjectRoles de géneroes_ES
dc.titleThe use of liminality in the deconstruction of women’s roles: Rudolfo Anaya’s bless me, ultimaes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.identifier.doihttp://dx.doi.org/10.25115/odisea.v0i18.1923


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Attribution-NonCommercial-NoDerivatives 4.0 Internacional
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 Internacional