Mostrar el registro sencillo del ítem

dc.contributor.authorCara Álvarez, Diego
dc.date.accessioned2012-02-08T16:02:03Z
dc.date.available2012-02-08T16:02:03Z
dc.date.issued2011
dc.identifier.issn1989-6778
dc.identifier.urihttp://hdl.handle.net/10835/926
dc.description.abstractThe English ‘War Poets’ who took part in the European conflict that shook the world in the second decade of the 20th century, initiated a new kind of poetry which combined the tranquil scenes of the previous tradition with a feeling of despair and intense pain. It is in the descriptions of landscape where this combination is most striking, where the rupture with the past is most evident and where a modern sense of anxiety takes place, exploding in multiple ways. The aim of this paper is to analyze four representative poems of this period and to examine their portrayal of a distorted nature as the instrument to express a feeling of ‘angst’ caused by the war.es_ES
dc.language.isoenes_ES
dc.publisherUniversidad de Almeríaes_ES
dc.sourcePhilologica Urcitana. Revista de iniciación a la investigación en Filología. Número 04, marzo 2011es_ES
dc.subjectPoesía georgianaes_ES
dc.subjectPaisaje bélicoes_ES
dc.subjectPrimera Guerra Mundiales_ES
dc.subjectGeorgian poetryes_ES
dc.subjectWar landscapees_ES
dc.subjectFirst World Wares_ES
dc.titleThe imagery of landscape in the English poetry of the First World War.es_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.relation.publisherversionhttp://www.ual.es/revistas/PhilUr/pdf/PhilUr04.2.Cara.pdfes_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES


Ficheros en el ítem

Este ítem aparece en la(s) siguiente(s) colección(ones)

Mostrar el registro sencillo del ítem