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    • Philologica Urcitana. Revista de iniciación a la investigación en Filología
    • Philologica Urcitana. Revista de iniciación a la investigación en Filología. Número 04, marzo 2011
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    • Philologica Urcitana. Revista de iniciación a la investigación en Filología
    • Philologica Urcitana. Revista de iniciación a la investigación en Filología. Número 04, marzo 2011
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    El mito del doble en la representación cinematográfica.

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    PhilUr04.3.FernandezCobo.pdf (227.9Kb)
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    URI: http://hdl.handle.net/10835/927
    ISSN: 1989-6778
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    Author/s
    Fernández Cobo, Raquel
    Date
    2011
    Abstract
    The purpose of this paper is to inquire the loss of the self and the inconsistency which is appearing in the cultural life of the second half of the twentieth century, with the intention of proving that what we are or who we are is not the result of our inner self or «essence», but the result of how we have been constructed and represented within the social group we belong to. Henceforth two particular films have been analysed: Persona by Ingmar Bergman, and Multiplicity by Harold Ramis, the first premiered in 1966, the latter thirty years later, in 1996. These films provide examples of how contemporary fiction transmits archaic myths though masked, rewritten and adapted to the new problems of human beings and their socio-historical conditions. In both films, the mythical narrative of the double pattern gives us the keys to understanding the always complex and problematic human identity. Moreover, not only do both directors share a similar approach, but they also evoke contemporary con...
    Palabra/s clave
    Mito
    Identidad
    Ingmar Bergman
    Harold Ramis
    Estudios culturales
    Representación
    Myth
    Identity
    Cultural studies
    Representation
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    • Philologica Urcitana. Revista de iniciación a la investigación en Filología. Número 04, marzo 2011 [8]

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