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La Epifanía como cristalización de una nueva manera de concebir el arte: "El tunel" de Ernesto Sábato
dc.contributor.author | Fernández Cobo, Raquel | |
dc.date.accessioned | 2011-12-12T13:48:20Z | |
dc.date.available | 2011-12-12T13:48:20Z | |
dc.date.issued | 2011 | |
dc.identifier.issn | 1989-6778 | |
dc.identifier.uri | http://hdl.handle.net/10835/455 | |
dc.description.abstract | This article questions about the epiphany as a central literary resource of the novel The Tunnel, by the Argentine writer Ernesto Sabato. Those fragments are analyzed starting from a pictorial image: «Maternities», created by the protagonist Juan Pablo Castel, which triggers a «revelation of meaning» that changes the way painting and literature are thought. The epiphany goes beyond being a mere aesthetic resource which has the ability to reveal the perspective not only of the artist, but of the receiver as well as a figure needed to finish the work of creation. El túnel is considered as an authentic treaty about the art of the twentieth century. | es_ES |
dc.language.iso | es | es_ES |
dc.publisher | Universidad de Almería | es_ES |
dc.source | Philologica Urcitana. Revista de iniciación a la investigación en Filología. Número 05, septiembre 2011 | es_ES |
dc.subject | Epiphany | es_ES |
dc.subject | Painting | es_ES |
dc.subject | Revelation of meaning | es_ES |
dc.subject | Communication | es_ES |
dc.subject | Epifanía | |
dc.subject | Pintura | |
dc.subject | Revelación de sentido | |
dc.subject | Comunicación | |
dc.title | La Epifanía como cristalización de una nueva manera de concebir el arte: "El tunel" de Ernesto Sábato | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.relation.publisherversion | http://www.ual.es/revistas/PhilUr/pdf/PhilUr05.2.FernandezCobo.pdf | es_ES |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |