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The imagery of landscape in the English poetry of the First World War.
dc.contributor.author | Cara Álvarez, Diego | |
dc.date.accessioned | 2012-02-08T16:02:03Z | |
dc.date.available | 2012-02-08T16:02:03Z | |
dc.date.issued | 2011 | |
dc.identifier.issn | 1989-6778 | |
dc.identifier.uri | http://hdl.handle.net/10835/926 | |
dc.description.abstract | The English ‘War Poets’ who took part in the European conflict that shook the world in the second decade of the 20th century, initiated a new kind of poetry which combined the tranquil scenes of the previous tradition with a feeling of despair and intense pain. It is in the descriptions of landscape where this combination is most striking, where the rupture with the past is most evident and where a modern sense of anxiety takes place, exploding in multiple ways. The aim of this paper is to analyze four representative poems of this period and to examine their portrayal of a distorted nature as the instrument to express a feeling of ‘angst’ caused by the war. | es_ES |
dc.language.iso | en | es_ES |
dc.publisher | Universidad de Almería | es_ES |
dc.source | Philologica Urcitana. Revista de iniciación a la investigación en Filología. Número 04, marzo 2011 | es_ES |
dc.subject | Poesía georgiana | es_ES |
dc.subject | Paisaje bélico | es_ES |
dc.subject | Primera Guerra Mundial | es_ES |
dc.subject | Georgian poetry | es_ES |
dc.subject | War landscape | es_ES |
dc.subject | First World War | es_ES |
dc.title | The imagery of landscape in the English poetry of the First World War. | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.relation.publisherversion | http://www.ual.es/revistas/PhilUr/pdf/PhilUr04.2.Cara.pdf | es_ES |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |