dc.contributor.author | Laurence, Adelina | |
dc.date.accessioned | 2017-10-09T09:33:46Z | |
dc.date.available | 2017-10-09T09:33:46Z | |
dc.date.issued | 2017 | |
dc.identifier.issn | 2171-9624 | |
dc.identifier.uri | http://hdl.handle.net/10835/5080 | |
dc.language.iso | es | es_ES |
dc.publisher | Universidad de Almería | es_ES |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject | Teatro contemporáneo | es_ES |
dc.subject | Laila Ripoll | es_ES |
dc.subject | Imaginario femenino | es_ES |
dc.subject | representaciones del cuerpo | es_ES |
dc.subject | Contemporary theater | es_ES |
dc.subject | Female imagination | es_ES |
dc.subject | Representations of the body | es_ES |
dc.title | Una lectura del teatro de Laila Ripoll: cuerpos de mujeres rotos | es_ES |
dc.title.alternative | A theater reading of Laila Ripoll: Women’s broken bodies | es_ES |
dc.type | Article | es_ES |
dc.identifier.doi | http://dx.doi.org/10.15645/Alabe2017.16.3 | |